Hours: 10:00 - 12:00
...While I see my computer's screen very nice and vibrant colors I do not get the same effect on printing. Do I make something wrong or blame the lab?
...I've heard and read a lot, but "Color Management" seems to me quite technical and complicated.
Solve your questions, and stop worrying.
With simple steps, and without tiring technical details, learn how and why, you need to set up Hardware and Software so that the prints you get are predictable and predictable.
Watch a live Calibration & Profiling screen with a spectrophotometer, and learn tips and guidelines that will minimize problems in "color communication" with the print lab.
After his photographic studies at AKTO, he began to learn the "color" working as a printer in the 1979-1984 five-year workshop in the Takis Voudouroglou workshop, printing by hand with magnifiers and trained In the period 1984-1990, Chief Photographer in the Advertising Studio of the well-known photographer in the advertising market of that era Haris Stathopoulos is taking charge of the color printing of slides directly on paper.
During the period 1991-1994 he created his own Studio of Advertising Photography and faces the first time the need for "Color Management" as a user of the first of the first Photoshop v2.5.
In the period 1994-1999, together with Stavros Zara, the first "Digital Image Processing Lab "in Greece the Studio Color with the main object of restoring old photos using Photoshop.
From 2000- 2005, Photo Manager and Color Management in the Imaging SA company that was leading the prepress and print and magazine editions.
2005-2008 works as Color Management Manager BriefMe SA , member of the Olympic DDB From 2014 until today, he is a technical manager and is responsible for "Color Management" and digital prints for IconNet.